Wednesday, February 9, 2011
Doctor Paul cured my apathy
Tuesday, February 8, 2011
Does it bother you that people hate you?
Tuesday, January 4, 2011
Allman Brothers Article
The Allman Brothers Band consisted of Gregg Allman on organ, Duane Allman on lead guitar, Dickey Betts on guitar, Berry Oakley on bass guitar, with percussionists Butch Trucks and “Jaimoe” Johanson. They came together as a band in Jacksonville florida, in 1969. They gained a reputation for their live shows, as well as for their studio albums and compositions, with their live album “At Fillmore East” being their most highly regarded album, as it captured the band at their best.
The roots of the Allman Brothers’ music can be found in all the music of the south, both from the African and African American traditions, and from the White-European tradition. They were primarily a blues band. Gregg Allman’s slide guitar always had a blues intunation, as well as blues sensibilities in melody, relying heavily on blue notes. The band hand a gritty, “dirty” sound in general, with Gregg Allman’s throaty-growling vocals being reminiscent of barroom blues, and twin overdriven guitars providing the bite to accompany Gregg’s bark. The band frequently used call and response; between different vocalists, between different instruments, and even between the band members and the audience. One of the signature sounds of the band is Duane’s call and response slide playing. In songs like statesborough blues, Duane responds to Gregg’s “A” lines (“Woke up this morning, had them statesborough blues”), while songs like you don’t love me often feature extended call and response slide guitar jams between Duane and Dickey Betts, with the rest of the group providing an interesting and evolving background.
Group improvisation is a huge part of the Allman Brother’s sound; they were one of the first groups to be considered a “Jam Band,” a subgenre of music still popular today. They were able to create a wall of sound, each member responsible for a portion of the soundscape, their ranges often overlapping and dancing around each other. With the inclusion of two drummers, they were able to create complex rhythms without losing the simple, swing heavy, straight ahead groove that made their music so exciting. Butch Trucks and Jaimoe were known to riff off of each other, creating polyrhythms harking back to African drum ensemble music. Bassist Berry Oakley was known to be both solid and melodic. He could hold down the rhythm section with his driving blues bass as well as play a more melodic style often referred to as a “third guitar,” following the momentum of the lead instrument, or playing lead himself. Gregg Allman’s organ playing was spacey at times, and frantic and pulsing other times. He coloured each composition with his chordal textures, often adding in a “splash” on the keys in a similar way to bop players dropping bombs. Dickey Betts and Duane Allman did not play in the standard lead/rhythm roles. Rather, they would play dual leads, often playing melody and counterpoint, or call and response. Dickey Betts had a more melodic ear, and his playing is often sweeter and softer than Duane’s who was primarily a blues guitarist. Songs like Mountain Jam feature the two guitarists playing the same melody, either in unison or different harmonic intervals, and improvising off the melody in a melody and counterpoint manner.
The Allman Brother’s had two fantastic writers in Gregg Allman and Dickey Betts. Gregg writes primarily vocal tunes in the vein of folk, blues, R&B and soul songs. His melodies are often lonesome, dealing with topics such as heartbreak, hard times, and life on the road, the bread and butter of blues singers. His songs are sometimes positive, hopeful, and loving, but always pay homage to his southern roots. Dickey Betts writes primarily instrumental songs. His ear for melody in unquestionable, and many songs such as “In Memory of Elizabeth Reed” and “Jessica” have been played on FM radio and covered so frequently that many people recognize the melody even if they do not know who wrote the song, or even the rest of the song itself.
Duane Allman and Berry Oakley both met an untimely end shortly after the release and success of the live album “At Fillmore East.” The Allman Brothers were at their peak, in terms of composing, and performing, and were starting to see real success. No one can say what would have happened if the band didn’t lose two of the founding members within such a short span (Oakley died about two weeks after Duane). However, the band decided to continue work, adding a keyboardist, Chuck Leavell, rather than trying to do the impossible-replace Duane on guitar, and finding a new bassist, Lamar Williams. Even with these losses, the band continued to record hits and play shows. The band played on and off throughout the decades. They are currently active, and play a legendary march run of shows at the beacon theatre in Manhattan, and summer shows around the country.
Monday, November 29, 2010
There is nothing new about hume
Never apologize run backwards thru the time of the endless falldown the absolute question about uncontroversial explosions. You can't limit the endless buddha nature being rejected by heathens,
you can't get me in or out of the jail, my leaders set precedents
the season is spring, and it's snowing?!
You lost yourself too late, it seems
Murder
Arson
Arse
Arsony.
I think you need to calm down,
Listen,
maybe it's best if you go one way
and i go nowhere.
Fine, I'll go up, you go to hell.
Smoke a blunt.
Break the door down, bass, boom! endless, infinite,
phrasing, reed, pipe, flute, brass, glass
paper
Fall quickly, now, you don't want to get left behind.
Free fall quickly, it's sick how you tricked me,
picked me, kicked me, and threw me a frisbee
disc is turning, catch it with my hands, my fingers are sticky
breathing is wispy, I'm blissed, b,
did'ja miss me? green trees are pretty,
laughing gets giddy, and silly,
For whatever that's worse.
Two minutes left in class, time to shut down.
Tuesday, November 16, 2010
English One Oh One
Fuck that.
So how do i respond to assignments geared toward a class of high school graduates writing at a level which i surpassed by ninth grade?
Sarcasm, and arrogance, apparently.
To the editor,
I get frustrated easily. The reason I generally do not read the paper is because I tire of the ceaseless back and forth banter, arguing over problems whose solutions are painfully obvious to me. Yes, I am aware that I’m an arrogant asshole, but if a man does not think himself above the mindless drivel which pours out of our presses in this day in age, I do not think he has very much at all. In David Blankenhorn’s “Protecting Marriage to Protect Children” he makes the case that a ban on gay marriage is necessary to protect the future generations of Americans. I am completely dumbfounded that it could be unlawful, criminal even, for two people to wed. The Supreme Court long ago ruled in favor of equality in freedom and opportunity, (something called the civil rights movement, you may have heard of it.) Yet somehow it is still not clear to all Americans that there is no legal basis for granting rights to a certain group of people and not others.
I shall outline a few basic arguments against gay marriage in David Blankenhorn’s piece, and attempt to demonstrate why they are completely absurd.
Marriage is a license to have children (Blankenhorn 1).
Oops. You don’t need this “license” to have kids; as of 2006 there are twelve point nine million households being led by a single parent, according to the US census bureau (Families and living arrangements 2006). Clearly, there is no such thing as a license to have children. How can you say that a one night stand which results in a child being raised by a single mother is more legitimate than a child being raised a married gay couple, yet how can you deny these people the right to reproduce and raise the children of their loins? Furthermore, gay couples could provide shelter and raise the children whose biological parents either can’t, or won’t, take proper care of them.
“Every child being raised by gay or lesbian couples will be denied his birthright to both parents who made him. Every single one (Blankenhorn 2).”
I must admit, I’m perplexed by that one. Will “legalizing” gay marriage suddenly give LGBT couples the right to whisk children away from their biological parents in the night? Will otherwise eager and willing parents throw up their arms, drop their babies, and declare “What’s the use anymore!? It’s all meaningless now, why don’t we just let our children be raised by some fucking queers or something!?” I think not. Few people would argue that the best way for a child to be raised is by their biological parents who love each other and the child very much. Blankenhorn sets up the conflict of one of good versus good (Blankenhorn 2). On one hand the goodness of giving proper dignity to LGBT couples, and on the other, the goodness of children being raised in an ideal atmosphere. This is not the case. As I’ve already stated, “Legalizing” gay marriage will not take any children away from their biological parents and place them instead in the care of homosexuals. Rather, concerning the children, it is a conflict of good versus bad. The good of giving loving couples the same rights, the same opportunity, and the same dignity to marry, create a home, and raise children regardless of their sexual orientation. Versus the bad of children either being told that their parents aren’t accepted and respected by the state, or even worse, growing up in an orphanage.
Opponents to gay marriage argue that marriage is a sacred and ancient institution. They will say it is not a question of rights, but a question of definition. Marriage is between man and woman, and has been an integral part of our society for centuries. Gay couples can be given equal rights thru civil unions, without undermining the foundation of traditional marriage. The doctrine of separate but equal does not work. It is impossible to segregate between two institutions; granting a certain group entrance into one of them, and another group to the other. There has to be a way to grant complete equality to all citizens without offending people’s religious sensibilities.
We have this concept in America of separating the church and state. It’s about time we use it. Here’s what I propose: We protect the sanctity of marriage and the rights of LGBT by separating the two. We have no need for a legal institution of marriage; all of the social and monetary benefits should be made available under the umbrella term “civil union.” This would no longer refer only to gay couples, but to any two people who live together and are mutually dependent on each other. Take for example two elderly siblings, whose spouses have both passed away, who are both retired, and who decide to move into a single apartment and support each other. Should they not be given the same benefits as a young couple with the same living arrangement? Let the Church define marriage, and let the government concern itself with what is relevant to it, without encroaching upon an institution which people hold to be sacred.
Sunday, November 7, 2010
Long overdue
It is probably very clear to anyone reading this that i am a terrible blogger.
I really do not update this thing very often at all, which i guess not only makes me a terrible blogger, but a terrible author and PR man. Ahhh well.
Anyway, upon insistence from my publishers, I'm going to try to update and post (slightly) more often.
Here is an exercise called a "mini saga."
I think, it needs to have exactly fifty words, a character, and a twist. Or something.
At Thirty, I still live in my parents basement. It’s not that
I’m such a big loser, or can’t afford to move
Out or anything like that. It’s just that this way
I don’t have to sell my place when they die.
Besides, it’s only for a couple of months
Tuesday, September 22, 2009
How can we sing the lords song in a strange land?
if I do not keep Jerusalem in memory even at my happiest hour."